Jordan Peele Strikes Again With ‘Us’

Peele shocks audiences with a strong opening week and a haunting movie experience

Jordan Peele has gone from dipping his toes to diving right into the deep end of the horror genre. His latest work, Us, follows a black family of four on a weekend trip to the beach in Southern California as chaos ensues across the United States. The movie made a meteor landing at the box office last weekend, scoring an impressive $70 million and a spot in the top three biggest horror movie openings of all time.

The premise of the movie sounds like a fever dream without being able to watch it unfold in theatres, but here it is in short: a government program gone wrong leads to the hostile takeover of red-jumpsuited doppelgangers who come from abandoned underground tunnels and are inspired by the 1986 charity program Hands Across America. Sounds crazy, right? But once you watch it, the concept becomes increasingly more unsettling, leaving you to wonder: “During what mundane task will my evil doppelganger come and take me?”

As it turns out, though, tagging a specific character with the “bad guy” title in this film isn’t as easy as it initially seems. The cerebral thriller leaves the audience with many questions, the most prominent of which are, “What’s going to happen to the rest of Adelaide’s family? Will Jason confront his mother, now knowing she’s the ‘evil’ copy?” These questions, as well as many other questions viewers might have, could all be answered in the future.

“There’s always the possibility (though slim) that Peele has another twist up his sleeve — maybe this could be the first entry in a larger series…This could be Peele’s attempt at a larger universe.”

Josh Spiegel

Writing for The Hollywood Reporter, Josh Spiegel explains that a franchise based on Us would be a welcome return for Nyong’o as Red/Adelaide, as she delivered nearly two full hours of an incredible onscreen performance.

Lupita Nyong’o as Red and Adelaide in Us

To read Spiegel’s opinion and more about Us, check out Josh Spiegel’s “The Questions Lingering After ‘Us’,” The Hollywood Reporter, (Mar 23, 2019).

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